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INTRODUCTION:
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Who would build a
guitar without a neck? Obviously nobody. Just because one can’t play
it. Still, stores are full of instruments one can’t play. For
example, organs with no drawbars. That’s impossible.
We must admit that we did it, too. We designed the ultimate software
organ: the B2003. With drawbars behind glass. That is EVEN MORE
impossible.
Therefore,
our great B2003 is now available for hands-on experience.
Introducing the B4000 ASB. With real wood panels. Producing
the official brilliant sound of its predecessor – and the original.
WITH drawbars. To be played.
Breathtaking organ
sounds: No problem. A Leslie without backbreaking cabinets? Sure,
easy to do. It’s just that so far all of this has been hidden behind
the glass screen of the computer. Now, you can physically touch it.
It was about time to let the bars fly again. A real organ with a
hefty bass bottom, clearly defined mids, and screaming heights — the
genuine sound of a real living electromechanical B3TM. A perfect
emulation – even the tone-wheel wear after years in heavy demand is
adjustable! And yet for taking it wherever you go. Use any MIDI
keyboard and leave your computer at home.
The real B3TM is about 200 kilograms and sounds marvelous. The ASB
is about 198 kilograms less. Sounds marvelous, too. |
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DESCRIPTION:
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The queen of organs?
Maybe. But a steaming one, with no makeup on, smelling dark and
earthy. It can be unpredictable as after a bad sleep; obtrusive and
loud when in high spirits; warm and engaging if treated well. In
short: An instrument
for
players who want more than just perform Bach’s fugues.
Is it possible at all to reconstruct that beast as a software? It
is. Okay, it’s not easy but it is possible. And can one play the
outcome? I mean play it as it is meant to be played? Of course.
The B4000 ASB does away with the barrier between
sophisticated state-of-the-art software and an instrument to be
tormented by the performer’s hands just like in the good old days.
Software? Yes. Computer? No. Instrument: Definitely. Nothing else.
We at CreamWare were not satisfied with just recording and replaying
the sound of the B3TM. With static samples on a mission from God?
Unthinkable. Instead, the greatest Hammond of all was meticulously
examined: each and every single of the 91 tone wheels; the analog
circuits; the interactions between organ and Leslie; the key click;
the crosstalk of the choruses even when all the drawbars are inside
— all of this and more was scrutinized down to the least detail. The
product is a HammondTM sound as it has to be: lively,
authentic, heavy. Close your eyes and try your ears. And there is no
need for dragging 200 kilograms onto the stage.
Next: If you want an organ sound sending shivers down your spine, a
Leslie cabinet is a must. This is why the B4000 ASB
incorporates one. Not a real one, of course, but you won’t hear the
difference. Bass and treble speakers with separate settings for
variable rotation speeds and accelerations, independent pickup
microphones for the individual speakers, Doppler effect — everything
you need just at your fingertips. Get Going! If you want, you might
also edit the ravages of time; what about using tone wheels that are
ten years old? Just tweak that knob a bit – that’s it. Functions
such as percussion, vibrato, or drawbar distortion were implemented,
too. That’s a matter of course. Period.
But we also added some stuff for those who think that time hasn’t
stood still since 1955. Velocity sensitivity like with modern synths?
Tunable signal envelopes? Okay. And if you want refine the sound of
your brand new synthesizer with the Leslie, distortion, and tube
drive effects of the B4000, you will welcome the integrated
audio input. Afterwards you might have a strong feeling that without
the B4000 effects, your overpriced audio
workstation sounds
like trash-flavored trash; however, that’s not our responsibility.
If you had stuck with the organ. |
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SPECIFICATION:
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As
B4000 ASB means the legendary Hammond B3 sound. Portable.
Affordable. Neither more nor less. Touch it – and
ever let it go again. However, if you prefer a more down-to-earth
approach, here are the dry specs. |
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Synthesis Type
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: Physical
Model |
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Technology
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: Physical
Modelling, Virtual Circuit Modelling |
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Number of
Voices |
: 91
(full)
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Sampling Rate
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: 44.1 kHz
(internal oversampling) |
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Resolution
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: 32 bit Audio
Paths |
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Analog Outputs
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: 2 x 1/4 inch
(6,3mm) unbalanced |
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Analog Inputs
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: 2 x 1/4 inch
(6,3mm) unbalanced |
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Control Inputs
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: Pedal,
Switch |
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MIDI
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: In, Out,
Thru |
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USB
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: Full Speed
USB rev 1.1 |
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Power Input
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: 12V AC/DC,
<20 W |
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Dimensions
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: t.b.a.
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Weight
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: t.b.a.
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USER MANUAL:
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Is
there any other keyboard instrument that can be played as easily as
an organ? Exactly. From your left brain sphere directly into the
Leslie — this is the principle on which we based the design of the
B4000 ASB. There are, in fact, some unique functions making a quick
look into the manual worthwhile.
Coming Soon ..... |
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HISTORY:
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Vintage? Nonsense. The
B3TM is as vintage as the grand piano or the electric guitar. And
just like that saxophone – invented in the 19 th (!) century – will
still be played in the next millennium, the Hammond, too, will walk
on with us.
A
life without the exciting thrills of the B3TM sound? Unimaginable!
You bet: Every
musician who has ever laid hands on it will tell more tales about
this organ than have ever been printed anywhere. That it sounds
completely different from day to day. That it sometimes is a bit
excited. Loves rainy weather. Dies for limelight. Is alive. Survives
knife attacks. Yet also empties even the deepest pockets pitilessly.
And breaks your back — after all, dragging a 200-kilogram giant onto
a stage is not child’s play.
Obviously, that is the
main reasons why many a musician has started looking for a new
playmate (or confidant?). However, most of them eventually got the
blues after starting these affairs: Sounds bad. Feels dead. Can’t
touch it. In short: Wasn’t inspiring.
Really? Really had all of them? Okay, the B4000 ASB is and
will always be a digital emulation. But thanks to the technique of
circuit modeling, this emulation is damn close to the original. Down
to the tone wheels, even the smallest detail had been reproduced by
our skilled engineers. You can hear that. Yet until now, you
couldn’t touch it: because the musical core of the B4000 ASB –
CreamWare’s B2003 – was bound to a computer.
Now at last it is unattached – and as
stubborn as the original. With a big fat belly. It whines and
growls, screams and bites – just the way it has to be. And what is
more: You can
make it as old as you want. It goes anywhere with you. Perhaps you
may want to get to know it better... |
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